This book has been around for about half a century, yet it is still the very best among just about as many similar titles in SQC. It is full of statistical and practical insights into all that a quality practitioner needs to know about the subject. I used the book as a student, and am still using it as a professor, and as an Academician of the International Academy for Quality.

This book has been around for about half century, yet it is still the very best among just about as many similar titles in SQC. It is full of statistical and practical insights into all that a quality practitioner needs to know about the subject. I used the book as a student, and am still using this book as a professor, and as an Academician of the International Academy for Quality.

It has not been easy to find a book on Quality Control which covers all the basics and depth on this subject. This is ONE book which I strongly recommend to all readers who wish to analyse the different methods in Statistical Quality Control. Many readers, will be surprised, just like me on the depth of the material. The organisation and presentation of the material is first class. Although this book is usable in college level teaching in this subject, but I find it much more meaningful as a practicing guide. The writers have demonstrated their wealth of knowledge in this book. I guarded it as a MUST read book for practioner in SQC.

In writing this book, 'Subversive Spirituality', Eugene Peterson, professor of spiritual theology at Regent College, Vancouver, has gone back over his writings of the past twenty-five years and pulled together elements of writings in essays, biblical studies, poetry, pastoral readings, and interviews to examine many of the overlooked aspects of spirituality.

Peterson writes: 'This gathering of articles and essays, poems and conversations, is a kind of kitchen midden of my noticings of the obvious in the course of living out the Christian life in the vocational context of pastor, writer, and professor. The randomness and repetitions and false starts are rough edges that I am leaving as is in the interests of honesty. Spirituality is not, by and large, smooth.'

We have a particular meaning attached to the word subversive, which is generally a sociological and political one. While this is certain akin to the meaning utilised here, it has a different slant and context. All spirituality, in a sense, is subversive, in the sense that it seeks not that which the material world (and usually that means the political world) holds to be important, but seeks a transformation. Most major religious figures have been subversive -- they have tried to change in small and major ways the prevailing framework of life. Religion is sometimes described as the institutionalisation of a revolution; when the institution overpowers the revolution, what is needed to get back on track is a subversion.

Peterson divides the book into five broad sections: Spirituality, Biblical Studies, Poetry, Pastoral Readings, and Conversations. In discussing scripture, seminary experiences, pastoral encounters and relationships, innovative ideas and creative imaginings, Peterson presents, as it were, the raw, unrefined nuggets of spiritual expression he has encountered, in his own life and in the experiences of those close by him, as well as those lessons he has gleaned from the studies of others.

'Spirituality is always in danger of self-absorption, of becoming so intrigued with matters of soul that God is treated as a mere accessory to my experience. This requires much vigilance. Spiritual theology is, among other things, the exercise of this vigilance.'

Spirituality is a subversive practise, when done properly. As Peterson states in one of his conversations, Christians in the West believe they are living in a culture which is Christian, and are often truly amazed to discover that they have more in common with the idol worshippers warned against in the Hebrew and Christian scriptures than with anything Jesus would have really wanted.

As one currently in seminary, I found his discussion of spiritual formation in context of the seminary to be intriguing and enlightening.

'They commonly enter seminary motivated by a commitment to God and a desire to serve their Lord in some form of ministry, and find that they are being either distracted or deflected from that intention at every turn. They find themselves immersed in Chalcedonian controversies, they find themselves staying up late at night memorising Greek paradigms, they wake in the morning, rubbing their eyes, puzzled over hairsplitting distinctions between homoousios and homoiousios. This is not what they had bargained on.... Seminaries were regarded as the graveyard of spirituality. Seminaries were where men and women lost their faith.'

I am fortunate that my seminary experience has, thus far, maintained a balance of spiritual encouragement as well as academic enlightenment.

This is a first class book, borne of a lifetime of searching, reflecting, and acting, and can give much food for thought. Regardless of the denomination of the reader, there is material here for the deepening of one's own spirituality, and for putting into life's practise a greater amount of living in accord with the spirit.

Eugene Peterson is an author that should be read by all believers - not just pastors. To best appreciate his work, it is helpful to meet Eugene Peterson - the man, the husband, father, pastor, etc. This book covers articles that were written between 1969 and 1996. The content demands interaction and will take you back and will help you to look forward in your own journey of life. After this book is thoroughly read - after this feast, you will have an appetite for his other work.

My advice is not to merely read, but experience what you read, and by all means - share with your family and friends - invite them to the banquet.

Max Rondoni
Menlo Park, California

with his experience Eugene shared with us the most essential things as a pastor. to reflect and renew pastoral life, this book/ handbook is a must read for all pastors who's been serving for a period of time.

I personally own over 400 cookbooks & have found Junior League Cookbooks to be one of my favorites. They are "tried & true" recipes for any age. This one contains very unusual recipes & some old standards. Can't go wrong with this one

I have yet to try a recipe from this cookbook that I didn't like. I've been using this cookbook for about 8 years, and I have recommended it to ALL of my friends. If you like food, you'll love this cookbook.

I am ordering this for a friend in Japan, after having used it myself for years. I give it often as a gift, because it contains so many recipes that are on the "favorites" list of everyone in my family. You won't be sorry!

If you're a Catholic looking for an intelligent and easy-to-read book on how to deepen your appreciation for your faith and for the Church, this is it! Boylan speaks in very eloquent, practical language and convinces you at the end that you just "gotta have" a relationship with this tremendous lover, Jesus the Christ. A priceless classic! Buy it now!

This book clearly teaches the concept of the mystical body of Christ as proposed by St. Paul in the scriptures. This book had a great impact on my life as a Christ. It clearly explains what the Christian life is about and how all Christians are interrelated to one another in the Body of Christ. A must read for every serious Christian.

I wondered if any modern writer had ever penned a handbook for pursuing a life with Christ in the Catholic Church, until I found this book. Though written by a Trappist Monk around 1945, "This Tremendous Lover" speaks directly to every man and woman who struggles to find room for God amid a hectic life and in a culture often at odds with God's values. From prayer to suffering to the sacraments to marriage to work, "This Tremendous Lover" shows the reader the way to deeper union with Christ, and ultimately to salvation. This is truly a timeless "Introduction to the Devout Life."

Vale's book should be a cornerstone of any screenwriting education...a classic that has withstood not only the test of changing times and movie tastes, but eloquently focuses on those
basics which make for great screen story. This book deserves to be on any screenwriters top shelf, and will be returned to often and for life!

In this book Eugene Vale develops and explains his excellent technique of writing a movie or teleplay script, thereby covering all aspects of the production of a script from the initial idea to the finished shooting script. Although the book explains a lot of theory, it's firmly rooted in common sense and is more than anything about the craft of screenwriting from a craftsmans point of view. The theory is very well explained and easy to understand. With this book Mr. Vale gives us an important and advanced tool for analysing and creating a working dramatic construction. I won't hesitate to recommend the book, it's simply a must for students and aspiring screenplay writers.

Vale's Technique is clearly written for someone interested in the nuts and bolts of film writing; and, while it can seem tedious, there is much to digest in this undervalued text. This book is free of the hype many screenwriting manuals serve up and methodically divulges the inner workings of film's blueprint.

Superb. I am a professional photographer, and i really admire Smiths work. This book is a great collection of some of his images.
The publishers did a good job reproducing the photographs, nice detail and tone. Definitely worth the price.

An excellent display and text of one of one of the world's great photojournalists. I would recomend this book highly to any fan of E. Eugne Smith

SMITH BOOK REVIEW

Having risked hernia to browse the impressive new book of an old friend and neighbor, ( W. Eugene Smith; Photographs 1934-1975 John T. Hill/Gilles Mora) what first grabs is the space, air and light enveloping these intense images with almost a loving caress, a sense of freshness and sunlight never possible in our dim, dingy-dusty claustrophobic Sixth Avenue loft building, where, just outside my studio door, were piled stacks upon stacks of his work mounted on black 16x20 dogeared mats, just waiting to be stolen, but which were, in fact, attributed by many visitors to some magical drugstore, and could I, please, arrange to have their wedding pictures made there, too? Gene couldn't sell one print for even twenty-five bucks in those days. Every night when I came home to sleep there was the despairing Clement Attlee staring upward at the bare light bulb over my doorway.

That was forty years ago, and twenty since Gene went to that great blast of ferrocyanide in the sky, and much ado about him has taken place in the interim. New York fifties mindset was Freudian psychoanalysis; everyone went to a shrink. Any prominent individualistic tendencies were often condemned to one definition of neurosis or another, and in the rather small and specious world of photography , Gene's maverick determination stood out in high relief. Businessmen photographers-- like the young Lee Friedlander, himself awash in Freudophilia, considered Gene a 'spoiler', pretentious-precious, and went instead to sit at the feet of the polymorphous Walker Evans; yes, "pomposity" was pretty much the legend that Gene's exit from LIFE brought down around his head. Not a team player at all; tsk tsk. And in his brave repudiation of corporate moloch, Gene valiantly pratfalled himself right into the lap of utter poverty.

To large extent, Gene's persona seemed to require a struggle against impossible odds; it focused and sharpened him to the high standards he demanded from himself , and he was no slouch when it came to grandstanding, often with tears, his anti-Goliath position. He built his own Myth of Smith, his self-invented public (relations?) image, fine when LIFE was footing the bill, but now, inside our firetrap former whorehouse , there was real rent to pay, real electric bills, bona fide empty refrigerators. That is about when we began to get acquainted--- I never really bought the Myth; for me he was just the strangely interesting guy downstairs who became a great pal.

Outside the loft, Gene was quick to acquire the packagable cliche of the garret-starved self-destructive artist. Compared to Van Gogh, he earned some residue of American Puritan contempt; this man whose great humanity was most evident in his work was treated most inhumanely by his peers.

Inside the loft, for many years the two of us were in daily contact, working and trying to exist under extremely difficult economic circumstances, and we often had one helluva good time!! I found him to be a genial, generous, courageous---often outrageous-- warm wildly witty man, always humble, sensitive, shy and hard-working, sharing a great interest in art, with a remarkable philosophical perspective. We jabbered of Welles and Chaplin , wide angle lenses, witches, Goya, Haiti, Satchmo, Stravinsky, O'Casey, Joyce, Kazan, war, suicide, politics, cock-fought over girls, guzzled cheap scotch, and swung with the jazz that regularly took place in my studio , as if great mind trips could avert the cold fact of the necessity to eat. I remember one hot summer day, making cream cheese and molasses sandwiches for us on cinamon bread. Gene argued that we didn't have to buy the molasses because we could get the iron from our rusty tap water. As a rule, his antic humor and punning sense managed always to keep things slightly off-balance; this man who had such a profoundly dramatic instinct and attraction for the tragic had also a capricious spirit of the absurd in the way he conducted his daily life; Van Gogh with a manic dash of Robin Williams.

And astonishingly productive. Yet always the gloomy impassioned chairoscuro came out of the darkroom-- prints blacker than black, then mounted on black, dense, intense, often in layout strangulation, making sure; I , W. Eugene Smith , won't let you go gently into that unferrocyanided good night. Sans assignments, now more artist than journalist, for years on end Gene shuffled his prints, made and remade PITTSBURG, photographed our jazz and our personal La Boheme, tried a failed book, a failed magazine, and finally luck brought him The Jewish Museum show and then his crescendo, Minimata.

One night in Bradley's in 1975, Gene said, "Well, Dave, I finally got there at last. I've got ten thousand dollars in the bank for the first time. Of course, it's only going to be there about a week."

Jump cut posthumous; an icon, passed away amongst us, is now suddenly acknowledged. Many who jeered him, refused him recognition, now come out to sycophant, to pedestal, to celebrate his life-- including LIFE itself. Gee, we're SO sorry; but let's exploit!

Those twenty-five dollar prints buckled the registers at auctions, and giant profits were made; yes, the same old art-woe story--- just at the time Vinnie the Gogh himself was pulling down millions in Sotheby sales. The dark side of Gene, finally, surely, took care of his children and at least one of his wives.

We get a brilliant and sensitive biography by Jim Hughes, a soso documentary, worldwide traveling shows. And then it seemed over. "There's no money left around for Gene Smith anymore" comments executor John Morris in the late eighties, handing his stewardship over to Gene's bastard son.

Now, surprise! comes this current coffee table dominatrix which gives Gene's babies, his pictures, the opportunity to have a life of their own in renewal. SNAP!! Of course one can argue anew the merits of the individual essays and which choices are the best, etc., but for myself-- having gone to bed amidst these images for many years, there's something new about them now; suddenly welcome. There is a spank-spank/no-no here; not all of what we see are Gene's own prints, very much against the artist's wishes, but the damage is by no means on the level of, say, Clement Greenberg's sanding off the paint on David Smith's sculptures after his death. And most of these choices help illuminate Gene's way of seeing and working. There are also textual inaccuracies; Hall Overton did not own the loft bldg. I had rented three floors, and Hall rented originally from me, and my friend Sid Grossman sent over Harold Feinstein to share Hall's floor. When Harold left, he brought in Gene.

I liked John Hill's technical essay at the closure. I was with Gene the night MAD EYES burnt out all the surrounding background, with ritual Clan MacGregor celebration, for neither of us-- one painter, one photographer-- gave a whit about 'objectivity'.

This spacious book-bomb adds honor and light to these master photographs, allowing them their own life and breathing room not usually available. Gene's insistence on control force-gilded his lilies, giving barely any space in his layouts to let the eye feel free to wander on its own volition. Now one can look afresh with impunity, and they look a bit different--even better.

In any event, Gene, now busily groping angels, can no longer argue in his own defense, no longer joke, weep, holler, cajole, rage, pun. And he doesn't need to.

You know? This fellow really had one goddamned great eye and sense of when.

David X Young

Oct 22 1998

A sweeping, incisive, colorful view of the life and times of the man in red galluses, Eugene Talmadge, famous for his slogan, "The poor Georgia dirt farmer ain't got but three friends who never let him down: God, Sears Roebuck, and Ol' Gene."

This work is a must read for anyone interested in southern history, or in demagougery in the U.S., or in southern politics! The author does an excellent job -- in a very interesting and readable narrative -- of truly capturing the colorful Eugene Talmadge, four times elected Governor of Georgia! He captures the real Gene, from Talmadge's red suspenders, to his plants at political rallies, to his outlandish, dogmatic ways -- such as the time he caused the Univ. of Ga. to lose its accreditation. As a teacher and historian, this book is one of the very best I have ever read!

AN outstanding literary piece. I would highly reccomend it for all especailly children. Eugene Talmadge's life, as expresses in this book was spent in th ebetterment of the ordinary working people of our nation.

The Wisdom of Each Other is highly readable and packed with gems of insight into the work of the Spirit and the silliness of what often passes for spirituality. In fact, Peterson differentiates penetratingly simply between Religion, what we do and Spirituality, what the Spirit does in us. He affirms the laity in their importance and gives their vocations equal status with clergy. In a series of letters from a long time friend and Christian to a mate who has rediscovered faith in Jesus, the author refreshingly takes a lot of the hype out of modern religion and points the reader towards the originator and sustainer of the life of Christ within. Friends, Peterson maintains. have much to offer each other in pressing on to maturity. Highly recommended. A good gift.

This is a really pretty book: through an exchange of letters, the reader sees the development of two men growing, and leaning on each other for strength, in Christ.

Christian books tend to be heavy, so this serves as a good prop, right underneath your pillow, so you can peak into these wise letters, or to protect you from bad dreams I suppose.

An excellent book. Exposing the deep need we have for each other. Addressing the critical issue of relationship over religion.

Profound theology in simple terms. Get it!

that is as captivating as it is beautiful. It's a wonderful bedtime tradition, for both children and parents. This amazing poem is a timeless classic; there's always something new to discover from the entrancing journey of our trio of fishermen! It's perfect for people of all ages. Come along, and bring somebody you love on the voyage on Wynken, Blynken, and Nod; you won't regret it!

I was not introduced to this poem until I was 18. We were performing it in concert as a part of Midge of Gold which is a collection of children's tales set to music. I fell in love with it and when I found out it was an actual book, it became one of the first gifts I give to parents and children. The melody is one that stays with me and it's a great lulaby. This book is worth more than what you will pay for it. I have not met one person who read it as a child and didn't love it. The poem and illustrations are wonderful. Buying this book for your child, or any child, is a great investment.

This is a book that my father grew up on, and after having kids of his own, read it to us. As we grew up, this book had somehow disappered, and, having missed it so much, set upon looking for it on the internet. This is a beutiful children story, but not only for children... Don't miss it!

Let's play vocabulary catch-up: The word "ketchup" is as American as burgers and fries, right? Wrong! The word is actually derived from the Chinese word "ke-jap," which means "fish sauce." In this fascinating volume, renowned linguist Eugene Ehrlich takes us on an eye-opening (and sometimes jaw-dropping) tour of how Americans have taken words from other languages and used them as our own. Kitsch? It's German, and means "trash." Ukulele? It's Hawaiian, and means (literally) "leaping flea." High muck-a-muck? It's Chinook and means "plenty to eat." The book is plenty of fun.

I loved this book!!!! I had this problem. I had ketchup on my muumuu and I didn't know what to do about it. So, I looked up "you've got ketchup on your muumuu.com" on the internet and I found this wonderful, lifesaving book!!! It was exactly what I needed. I discovered how to classify the ketchup by tomato content and acidity. Armed with this information, I was then equipped to deal with my ketchup/muumuu situation. I then took the book and rubbed it vigourously back and forth against my muumuu. This served to create a significant source of friction which heated my muumuu up to a point where the ketchup began to slide off. My muumuu was painful for weeks but at least the ketchup was removed. Oh my, thank you, thank you, Eugene Erlich, Eugene Enrlich!!! You've saved my life!!!!

I enjoyed this book for many reasons. Number one, the title alone is enough to make you want to buy it. How can you resist? I write every day (newspaper) and it helps to have a book like this. I am always looking for creative ways to express myself and this is what this does for you. I find it even more helpful that he supplies a guide for pronunciation so I don't have to sound like an idiot if I want to use one of these words in a conversation.